Swallowing My Mother
Catherine Moss is a jeweller of words. Every poem in Swallowing My Mother is carefully crafted and polished, but beneath the polish lies great emotional risk. Whether she is dealing with childhood loss, her passion for gardening, or the many and various exotic places she has encountered, Moss is an artist who is not afraid to expose painful, sharp-edged revelations.
Reviews
Moss … moves slyly from descriptive to declamatory speech, allowing the poems to burrow from straightforward narrative and description to archetypal symbol. I like that: it looks easy, and I know it isn’t. The fact that Ms Moss is well-travelled shows not only in the variety of her landscapes, but in the dexterous camera work. ~Richard Stevenson, The Danforth Review
Moss is a poet whose joy in the variety of language, and the variety of the nature it reflects and shapes, sounds from almost every line. ~Alexander Rettie, Alberta Views
Catherine Moss has an instinct for language, awakening rhythms and images that are at once lyrical and sparse. Swallowing My Mother is an enticing and exciting new book of poetry whose merit lies not only in its literary value, but also in its insightful account of personal and collective experiences. ~Jennifer Bronson, League of Canadian Poets
Samples
Turning Back the Sheets
after the children have gone and dusk settles on urban poplars like hens settle on straw I open the kitchen door and call my grandmother back from memory from the garden from where she once called me she has gathered the hens into their house left them idly questioning their eggs in the early dark hunched over the garden fork (taken to parry the slash of the rooster's claws) she walks back between rows of vegetables digs a dandelion's ivory root from the dark mouth of soil tells herself tomorrow I must pick gooseberries this evening at her walnut desk in the drawing room she will write: dear child after you left I went to change the bed but the sheets were warm and still held the smell of your body in their arms




